Ethnographic Explorations of the Impacts of COVID-19 on Sociality and Spatiality in a Swiss Live Music Venue

The globally experienced suspension of cultural life brought about by the COVID-19 crisis has been duly acknowledged and discussed in a growing number of publications, reports and online seminars, most often in terms of the impact of COVID-19 on the music/culture industry. Despite the worsening pandemic situation in Switzerland and elsewhere during the autumn of 2020, I happened to be conducting field research in the city of St. Gallen (in north-eastern Switzerland) where the authorities opted for a "liberal” handling of the health crisis. As a result, the city's live music venue "Palace”, where I was doing my fieldwork observations, remained open to the public as late as mid-December 2020, albeit with shortened opening hours and with a dancing ban. This allowed me to gain first-hand fieldwork experience during the pandemic's significant constraints on social behaviour. The present article accordingly addresses the ethical dilemmas that I encountered when operating in this "grey zone” of field research, while also documenting the challenges and adjustments that the Palace venue had to undergo during pandemic times from the perspectives of producers, musicians and audiences alike. The article specifically focuses on understanding and analysing changes in the experience of the Palace's sociality and spatiality under social distancing rules. Ultimately, this work provides a different angle on the existing body of music-cultural research, which largely focuses on the cancellations and transformations of music events into virtual gatherings. © Equinox Publishing Ltd 2022.

A place outside the pandemic? An ethnographic study of live music events at St Gallen's cultural venue Palace during the COVID-19 crisis

The multiple impacts of COVID-19 on the music-culture industry have been duly discussed in a variety of public discourses, academic and otherwise. However, there is still a dearth of studies that investigate alternative face-to-face practices of live music performance and organisation during the pandemic's significant constraints on social behaviour. The present work aims to fill this gap by offering an anthropological angle on live music practices during COVID-19. It specifically draws on fieldwork that I could carry out in the autumn of 2020 at a live music venue - 'Palace' in the Swiss city of St Gallen - owing to a 'liberal' handling of the COVID-19 crisis by the St Gallen authorities. This article documents accordingly the challenges and adjustments that Palace had to undergo during pandemic times from the perspectives of producers, musicians and audiences alike. The primary focus here is on exploring changes in the venue's management, programming, audience composition and especially the musical-aesthetic experience of the venue's pandemic-compliant gigs. Finally, the article draws on the musings of my interlocutors as to whether Palace was in their experience a place outside the pandemic, to tackle the larger question of how COVID-19 has affected people's perceptions of live gigs and urban nightlife more generally.